You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. Listeners who prefer their Mozart performed on period instruments may want to look elsewhere, but for general listeners, it would be hard to go wrong with these performances.This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). The sound quality of the performances recorded by Deutsche Grammophon between 19 is not entirely consistent, but it is never less than adequate and is often excellent. The performances reflect the aesthetic of the mid-20th century the orchestra is large, with a fuller, more Romantic sound than had become standard by the end of the century, when historically informed performance practice produced leaner, more limber performances of Mozart, with more scrupulous attention to the repeats in some movements. Böhm's set was the first complete recording of the symphonies (including several that subsequent scholarship has shown to be written by other composers and misattributed to Mozart) and it remains a substantial achievement because of the conductor's stature as a Mozartian and because of the enthusiastic and refined playing of the Berlin Philharmonic. Karl Böhm's recording of the Mozart symphonies with the Berlin Philharmonic Orchestra is among the most respected and beloved sets of this important body of work.
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